{"id":22,"date":"2023-11-28T17:13:24","date_gmt":"2023-11-28T20:13:24","guid":{"rendered":"https:\/\/www.franciscoleocadio.com.br\/?page_id=22"},"modified":"2025-01-03T21:54:42","modified_gmt":"2025-01-04T00:54:42","slug":"academico","status":"publish","type":"page","link":"https:\/\/www.franciscoleocadio.com.br\/index.php\/academico\/","title":{"rendered":"Acad\u00eamico"},"content":{"rendered":"\t\t
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Acad\u00eamico<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Acesse aqui meu Curr\u00edculo Lattes<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Artigos<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Tudo \u00e9 passageiro at\u00e9 o trocador<\/em><\/a>. In Revista Intransitiva v. 8 n. 1, p.56- 60,2024: Lugares que nos habitam.\u00a0\u00a0ISSN: 2674-936X.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Scenography Creation Process of Colmar Diniz, from his Sketches\u00a0 (p\u00e1ginas 235-255), in Drawing and Performance: Creating Scenography\/<\/span><\/a><\/div>
Edited by Filipa Malva, Kate Burnett and Sofia Pantouvaki- Coimbra: INET-md Dance Studies Group, FMH, University of Lisbon ,FCT – Foundation for Science and Technology, 2023.<\/span><\/div>
ISBN: 978-972-735-275-3<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A cidade descoberta pela boca de cena\/ The city discovered by downstage (p\u00e1g. 34).<\/i><\/a><\/div>
Confer\u00eancia Internacional\/\u00a0International Conference:\u00a0Ressensibilizando\u00a0cidades: Ambi\u00eancias urbanas e sentidos.\/\u00a0<\/span>RESENSITIZING CITIES:\u00a0 Urban Ambiances and Senses.\u00a0<\/i>Ano: 2019.<\/span>
Co-autoria:\u00a0Profa. Me. Sara Fagundes<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le discours d’un espace alternatif:Ariano Suassuna au Rio Scenarium \u00e0 Rio de Janeiro<\/i>. PLURAL PLURIEL. , v.1, p.1 – 13, 2016.<\/a>
ISSN 1760-5504<\/div>
Co-autoria: Profa. Dra. Evelyn Furquim Werneck LIma<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Theatro Municipal of Rio de Janeiro: an iconic symbol of the city In: XVII Thirteenth symposium of the ICTM Study Group on Iconography of the Performing ArtsDecoration of Performance Space: Meaning and Ideology, 2016, Veneza.\u00a0<\/span>Annals of the XVII Thirteenth symposium of the ICTM Study Group on Iconography of the Performing Arts.\u00a0<\/span>Veneza: Fondazione Giorgio Cini, 2016. v.1. p.34.<\/i><\/a><\/div>
Co-autoria: Profa. Dra. Evelyn Furquim Werneck Lima\u00a0\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Laborat\u00f3rio de Estudos do Espa\u00e7o Teatral e Mem\u00f3ria Urbana<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Eu fa\u00e7o parte da equipe deste laborat\u00f3rio desde de 2013. Ele  \u00e9 coordenado pela Profa. Dra. Evelyn Furquim Werneck Lima, e incorpora um grupo de pesquisa transdisciplinar que aborda temas que  abrangem  cenografia, hist\u00f3ria e mem\u00f3ria urbana,  patrim\u00f4nio constru\u00eddo e outros estudos que buscam analisar o espa\u00e7o instaurado pelo fen\u00f4meno teatral.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Material Did\u00e1tico<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Lousa da disciplina Elementos de Arquitetura 1 e 2<\/strong> -EBA\/UFRJ<\/strong><\/p>

Mesmo com os recursos tecnol\u00f3gicos do Datashow e da televis\u00e3o, eu insisto na representa\u00e7\u00e3o gr\u00e1fica com o uso de giz e lousa.<\/p>

Acredito que a extens\u00e3o da lousa na sala de aula permite a simultaneidade de apresenta\u00e7\u00e3o de desenhos de um mesmo assunto. Al\u00e9m de incentivar os alunos \u00e0 pr\u00e1tica da c\u00f3pia como forma de memoriza\u00e7\u00e3o do conte\u00fado.<\/p>

A lousa apresentada neste portif\u00f3lio refere-se \u00e0s compet\u00eancias do desenho de Arquitetura, na Escola de Belas Artes, cuja disciplina se chama Elementos de Arquitetura.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Maquetes para disciplina Elementos de Arquitetura 1 <\/strong>EBA\/UFRJ<\/strong><\/p>

Como professor da disciplina de Elementos de Arquitetura, na Escola de Belas Artes, desenvolvi alguns materiais did\u00e1ticos para contribuir com o aprendizado das conven\u00e7\u00f5es da representa\u00e7\u00e3o gr\u00e1fica do desenho arquitet\u00f4nico para os alunos dos cursos de Cenografia, Design de Interiores e Paisagismo.<\/p>

O elemento escolhido aqui \u00e9 uma maquete planificada, desenhada no Autocad que deve ser impressa, recortada e montada por cada aluno da disciplina e posteriormente utilizada como refer\u00eancia para o desenho t\u00e9cnico feito pelos pr\u00f3prios alunos. Por se tratarem de alunos ainda dos primeiros per\u00edodos em sua maioria, os desenhos planificados s\u00e3o recortados com tesoura, dispensando o dom\u00ednio do estilete, e em seguida colados com cola
branca. A inten\u00e7\u00e3o \u00e9 a montagem de uma maquete de uma edifica\u00e7\u00e3o em corte transversal simplificada que planificada, coubesse em algumas folhas de papel A4.<\/p>

A maquete tem a inten\u00e7\u00e3o de possibilitar ao aluno transpor do elemento tridimensional a s\u00edntese de todas as simbologias b\u00e1sicas, elementos textuais e hierarquias de linhas que fazem parte desta linguagem de representa\u00e7\u00e3o gr\u00e1fica.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Exerc\u00edcio Escala 1:1 – Design de Interiores – IED Rio<\/strong><\/p>

Ao lado da arquiteta Adriana Moura, para a disciplina de Projeto Residencial do curso saperfare de Design de Interiores do IED- Rio ( Istituto Europeo di Design) , foi criada uma din\u00e2mica para as primeiras aulas de projeto.<\/p>

Como uma forma de criar um elo entre a escala real e a representa\u00e7\u00e3o bidimensional de uma planta-baixa, os alunos eram convidados a criar um ambiente mobiliado usando papel para recortar os moldes das pe\u00e7as de uma sala de um apartamento.<\/p>

Tal qual o filme Dogville, a abstra\u00e7\u00e3o dos gabaritos era quebrada com a escala de 1 para 1, correspondendo \u00e0 proje\u00e7\u00e3o de m\u00f3veis reais.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Acad\u00eamico Acesse aqui meu Curr\u00edculo Lattes. Artigos Tudo \u00e9 passageiro at\u00e9 o trocador. In Revista Intransitiva v. 8 n. 1, p.56- 60,2024: Lugares que nos habitam.\u00a0\u00a0ISSN: 2674-936X.\u00a0 The Scenography Creation Process of Colmar Diniz, from his Sketches\u00a0 (p\u00e1ginas 235-255), in Drawing and Performance: Creating Scenography\/Edited by Filipa Malva, Kate Burnett and Sofia Pantouvaki- Coimbra: INET-md […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.franciscoleocadio.com.br\/index.php\/wp-json\/wp\/v2\/pages\/22","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.franciscoleocadio.com.br\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.franciscoleocadio.com.br\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.franciscoleocadio.com.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.franciscoleocadio.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=22"}],"version-history":[{"count":82,"href":"https:\/\/www.franciscoleocadio.com.br\/index.php\/wp-json\/wp\/v2\/pages\/22\/revisions"}],"predecessor-version":[{"id":1280,"href":"https:\/\/www.franciscoleocadio.com.br\/index.php\/wp-json\/wp\/v2\/pages\/22\/revisions\/1280"}],"wp:attachment":[{"href":"https:\/\/www.franciscoleocadio.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=22"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}